Sky High Soundtrack Mp3 Download

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Lots of soundtracks from movies aimed at kids and teens have an overriding theme to the music collected on them, and Sky High -- which kind of looks like a brightly colored, made-for-TV version of the X Men films -- is no different. Like the Herbie: Fully Loaded soundtrack's gambit of having acts from the 2000s cover '70s rock and pop, Sky High features teen pop and alt-rock acts remaking '80s hits. And, like the Herbie soundtrack, this album stumbles more than it succeeds. A good chunk of the collection consists of uninspired but passable covers like the Cary Brothers' blandly pleasant version of Spandau Ballet's 'True' and Flashlight Brown's cover of English Beat's 'Save It for Later,' which steamrolls right over the song's lyrical and musical subtleties. Along with versions of 'I Melt With You' and 'Everybody Wants to Rule the World,' there are covers of slightly more obscure tracks, but they're not handled any better. Steven Strait's version of the Fixx's 'One Thing Leads to Another' trades the angular precision of the original for a dull, muddled sound, and the Click Five's remake of 'Lies' might be louder than the original, but it's not any better. Most of Sky High is so blah that the halfway-decent songs sound amazing by comparison: Elefant's version of 'Please, Please, Please Let Me Get What I Want' is basically karaoke Smiths, but the song is still so gorgeous and affecting that it can't help but be a standout. Likewise, Vitamin C's version of 'Til Tuesday's 'Voices Carry' is virtually a Xerox of the 1985 hit, but it's an inspired choice on another level: Aimee Mann went from 'Til Tuesday's pop to the alternative singer/songwriter fare of her solo career, while Vitamin C (aka Colleen Fitzpatrick) traded the alt-rock of Eve's Plum for life as a Radio Disney-style pop singer. Caleigh Peters' versions of the Cars classic 'Just What I Needed' is the album's most daring track: having a girl sing lyrics like 'it's not the perfume that you wear/it's not the ribbons in your hair' in the song sounds downright scandalous next to the rest of Sky High's same old, same old. One of the other standouts is They Might Be Giants' version of Devo's misfit anthem 'Through Being Cool,' which feels like the history of geek rock distilled into three minutes. Maybe the kids at which Sky High is aimed probably won't know (or care) that Keaton Simons' 'And She Was' has barely a fraction of the joyful weirdness of Talking Heads' original, but it still needs to be said. For a movie that's supposed to be about kids with freaky superpowers, Sky High's music is painfully conventional.

Find album reviews, stream songs, credits and award information for Sky High [Original Soundtrack] - Original Soundtrack on AllMusic - 2005 - Lots of soundtracks from movies aimed at kids and&hellip. Download Sky High Mp3 Download with high quality Song Mp3 at rsymedia.com.

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Sky High Soundtrack Torrent

Sample	Title/Composer	Performer	Time
1	Michael Conroy / Robbie Grey / Gary McDowell / Stephen Walker	04:03
2	03:17
3	Andy Cox / Everett Morton	02:49
4	04:28
5	Alfie Agius / Cy Curnin / Rupert Greenall / Adam Woods	03:10
6	02:58
7	Michael Hausman / Aimee Mann / Joey Pesce	04:16
8	02:53
9	05:11
10	03:38
11	03:25
12	03:49
13	Andy Cox / Everett Morton	05:03

blue highlight denotes track pick

The Guardians of the Galaxy films don’t look like most other superhero films, and they don’t sound like them, either. In between the thuddingly obvious music cues of Suicide Squad, and the Sturm und Drang scores of most other comic-book flicks, the Guardians movies have carved out a very specific musical niche, employing a number of fondly (but not over-) remembered radio classics from the 1970s. But which one is the best? That’s what we’re here today to discuss.

ELO, “Mr. Blue Sky”
How you feel about Baby Groot is a pretty good indicator for how you’ll feel about the rest of Guardians of the Galaxy Vol. 2. That makes the movie’s opening scene, in which the infant tree dances across the screen for the length of almost an entire pop song, a litmus test for how you’ll respond to next two hours of AM radio music cues, dazzling visual effects sequences, family drama subplots, and comedy bits that go the distance and then some. I must be the exact target audience for Guardians, because watching Baby Groot obliviously bebop around to the tune of Electric Light Orchestra’s “Mr. Blue Sky” while a massive fight scene happens out of focus behind him made me giddy with glee. I’ve never been more my mother than when I started mimicking his movements with my feet. James Gunn knows that Baby Groot is his ace in the hole, and pulls it over and over again, but to no better effect than when he gets the tiny twig moving to ELO. —Jordan Crucchiola

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Avenir light free font download. Fleetwood Mac, “The Chain”
What’s the best song to have playing when you walk down a hallway in slow motion? “Papa Was a Rollin’ Stone”? “Sabotage”? “Battle Without Honor or Humanity”? All fine choices, but slightly overused at this point. Credit James Gunn, then, for finding a new classic slo-mo hallway-walk song in Fleetwood Mac’s “The Chain.” When Peter, Gamora, and Drax fly off on Ego’s eyeball spaceship, Lindsey Buckingham’s aching vocals invest what could have been a throwaway moment with real tension. Ego is breaking the chain that kept them together! —Nate Jones

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Free Mp3 Soundtracks Download

Glen Campbell, “Southern Nights”
Remember the distinct joy of being home alone? Not quiteHome Alone home alone, but when the parents were out, leaving only a note and the glee of having an entire space to yourself and your music. What euphoria! When half of the guardians go off to meet Ego, Rocket, and Groot are left alone in the woods to repair their spaceship. For the first time in this series, we get a glimpse of Rocket in peak joy. He’s listening to “Southern Nights,” a song that bounces with a homegrown appeal. I’m barely a Southerner, but Glenn Campbell’s groovier cover makes me nostalgic for swatting away mosquitoes on a wraparound porch. Rocket’s alone time is interrupted when Yondo and his crew roll in, but the raccoon’s sarcasm fades to playfulness. The banjo-strumming soundtracks Rocket’s booby traps as he jumps between tree branches, showing off his cunning energy. Yondo and his goons are no match for Rocket when he’s really feeling himself. —Hunter Harris

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George Harrison, “My Sweet Lord”
What’s the best solo album by a Beatle? To me, it’s no contest: George Harrison’s multidisc All Things Must Pass, which is topped by the incandescent “My Sweet Lord.” While the song got some unexpected airplay in the sixth-season premiere of Girls, it fits much better in Guardians 2, where it cues up as Peter and the other characters arrive at Ego’s planet. Sure, it’s a little on the nose to play such a religious song just as Ego is humbly admitting to our heroes that he’s a god, but the song’s Wall of Sound production just suits the more-more-more maximalism of Ego’s beautiful home, and Harrison’s yearning pleas — “I really want to know you / I really want to go with you” — perfectly mirror Peter’s paternal longing. —Kyle Buchanan

Looking Glass, “Brandy (You’re a Fine Girl)”
Who among us hasn’t felt as though a popular song was speaking directly about our lives? And who among us hasn’t then foolishly taken that song’s lyrics as advice about how to move forward? Guardians 2 presents viewers with that kind of eminently human experience, albeit in a scene co-starring a living planet. When Ego provides a textual analysis of Looking Glass’s “Brandy (You’re a Fine Girl),” it’s a high point for the film: The humor comes not from gags or references, but from genuine, relatable character beats. Peter is a music obsessive and a kid with severe daddy issues, so when his long-lost papa says “Brandy” is about how both father and son need to abandon people they love in order to live their best lives, we laugh because we’re seeing a classic Tarantino-style Hey, maaaan, did you ever really think about this song? monologue, but we also feel the hair on the back of our necks stand up — no truly benevolent sage would use such a killer tune for that kind of questionable purpose. It also rocks because the song, like Brandy, is indeed quite fine. —Abraham Riesman